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I took a chance on Dark Zebra last Christmas, and I am absolutely loving it. I'm not very good at sound design, and my skills as a composer are marginal. I generally get an hour or two in a day to do anything music related. I'll be working through some of these for to give you a perspective on the other side of things: I am a hobbyist with an unrelated full-time job and small children. Not sure if I'm very skilled but at least I've been using Zebra for a long time now!Ĭlick to expand.Thanks for the link! They have a huge amount of tutorials. This means you can control the how much modulation with a second modulation.
U HE ZEBRA 2 MOD
There are a couple of ways of approaching this.ġ) Some modules have modulation knobs, and you can modulate those knobs.Ģ) In the mod matrix, each modulator has a sidechain, so to speak.
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Most parameters in Zebra can be modulated but you get almost zero visual feedback. Give it time to grow on you, don't be fooled by superficial impressions! Honestly, just demo Zebra and try it out for a bit. Also AFAIK there's nothing in the market like its comb filter.ĭune is a very different synth which I also love.
![u he zebra 2 u he zebra 2](https://rekkerd.org/img/articles/uhe_zebra2_color.jpg)
Oscillators and the filters are still top notch. The sound itself is still fantastic and has an organic and timeless classic quality to it. You can quickly create and understand very complex patches. For example, there are almost no animations. The UI is showing its age too in some ways. This might not matter to you if you're going to add say an external reverb.
U HE ZEBRA 2 HOW TO
Scottie concludes the series by showing you how to get the most out of Zebra2’s musical and intuitive arpeggiator, and how to program the X/Y pad which allows for controlling multiple parameters at once.įinally, Scottie delves into Zebra2’s comprehensive MIDI Mapping capabilities.Some parts are starting to show its age IMO, like the effects. Then it’s time to explore the FX Grid in which you route and program effects chains, as well as all the effects such as delay, chorus, reverb, compressors, and EQ! With most of the building blocks covered, Scottie digs into the Modulation Mapper and Mixer, and how you can use it to bring complexity to your patches and make any sound pop.
U HE ZEBRA 2 GENERATOR
If the standard Envelope Generator isn’t enough, Zebra2 offers a Multi-Stage Envelope Generator, which Scottie shows you and how you can use it to adjust the timing of your envelopes and more. Scottie then talks about how nearly every parameter can be modulated either from a MIDI controller or internal module, and then demonstrates how the Modulation Matrix gives you even more control over your sound design. Zebra offers nearly every type of filter you can find in physical hardware, along with some unique software filters such as the Cross Modulation Filter.īut wait, Zebra has even more modules, and Scottie covers them all! He describes the Sideband, Distortion, Ring, and Mix modules, as well as the Modulation modules. Scottie then demonstrates how to use the Frequency Modulated Oscillator and the Noise Generator to add flavor and grit to your sound.Īfter that, Scottie explores all the filter modules in Zebra2.
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The Oscillator Wave Editor is then focused on, revealing how you can draw your own waveforms. Next, Scottie explains and explores the Oscillator section, including all of its sub-panels containing fine tuning parameters for customizing nearly every aspect of the oscillator. This leads into a discussion of the global settings such as Voice Mode to determine polyphony and general performance settings. He then covers the Synthesis window, where you create patches, load modules, and work with signal flow.
U HE ZEBRA 2 PATCH
Scottie begins with a birds-eye-view of Zebra2 as a whole, before focusing in on the patch window. U-he’s Zebra2 is a real animal of a virtual analog synth, and in this video tutorial series, synth expert Scottie Dugan covers every aspect of this amazing virtual software instrument!